Dorothea Lange’s images of Depression-era America made her one of the most acclaimed documentary photographers of the 20th century. She is remembered above all for revealing the plight of sharecroppers, displaced farmers and migrant workers in the 1930s, and her portrait of Florence Owens Thompson, Migrant Mother (1936), has become an icon of the period. Since much of this work was carried out for a government body, the Farm Security Administration, it has been an unusual test case of American art being commissioned explicitly to drive government policy. After the Depression she went on to enjoy an illustrious career in photo-journalism during its heyday, working for leading magazines such as Fortune and Life, and traveling widely throughout Asia, Latin America, and Egypt. (The Art Story)
A Missing Michelangelo, the “Dubai Effect” & More
Each week, we scour the internet for the most significant, surprising, and outrageous art news—helping you stay informed (an…
Photographing Truth Over Beauty
In this series, the curatorial team presents one work from the Meural art library we find essential.