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Impressionism

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Impressionism can be considered the first distinctly modern movement in painting. Developing in Paris in the 1860s, its influence spread throughout Europe and eventually the United States. Its originators were artists who rejected the official, government-sanctioned exhibitions, or salons, and were consequently shunned by powerful academic art institutions. In turning away from the fine finish and detail to which most artists of their day aspired, the Impressionists aimed to capture the momentary, sensory effect of a scene—the impression objects made on the eye in a fleeting instant. To achieve this effect, many Impressionist artists moved from the studio to the streets and countryside, painting en plein air. (The Art Story)

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Editorial (16)

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The Master of Painting Mother-Daughter Intimacy
The Master of Painting Mother-Daughter Intimacy

In this series, the curatorial team presents one work from the Meural art library we find essential.

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What Makes an Artist an “Outsider”?

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A Very French Art Heist, the Return of Dana Schutz & More
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Artists (34)

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Helen McNicoll
Helen McNicoll
Canadian, 1879–1915
Pierre Puvis de Chavannes
Pierre Puvis de Chavannes
French, 1824–1898
László Mednyánszky
László Mednyánszky
Hungarian, 1852–1919

Playlists (22)

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Degas' Dancers
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Key Works: Claude Monet

Works (770)

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